The Sleeper And The Spindle

Because I didn’t read a full length book this month, I also read two illustrated ones. This was the first of those two, Maus being the second.

I was given this book for Christmas by mum because she knows I love Chris Riddell’s artwork. I read The Edge Chronicles by written by Paul Stewart and illustrated by Chris Riddell when I was fourteen or fifteen and fell in love with them. They’re fantasy novels, with absolutely incredible images to help tell the story.

Photo on 29-01-2015 at 00.44 #2

So The Sleeper And The Spindle is illustrated by Riddell and written by Neil Gaiman. I’d never read anything of his before but I have seen his name everywhere. The story is a re-telling of Sleeping Beauty, with a young queen being taking on the traditional role of the prince searching for the sleeping princess.

While it’s based on a well known fairy story, this one does feel a lot less like the romanticised Disney version and more like the traditional, darker versions of old stories. There are scary sleep walkers and skeletons and beasts that follow them.I loved that this story had a complete twist in it, one that I honestly hadn’t seen coming when I first opened the book.

Honestly, I spent the entire time reading it in awe of the incredible drawings and how much time they must have taken to create. Where can I get me a poster??

Just to reiterate how stunning they are, I’ll include a picture:




This month has been a busy month, and while about 3/4 of the way through A Game Of Thrones, I won’t get it finished before the 31st. So (slight cop-out) I chose to read one of my prescribed books for my English class- MAUS by Art Spiegelman. I’ve been putting off writing this review because it’s such a sensitive topic, and I want to be respectful in talking about it and I wasn’t sure how to tackle it. But here it is.

I hadn’t known that the book was a graphic novel when I’d ordered it from Amazon. I thought it was a textbook about Art. There’s a sticker on the front cover, that obscured the Nazi swastika on the front, and since I hadn’t bothered to look too closely, I also had no idea the book was about the Holocaust.

Photo on 27-01-2015 at 22.27


The inside cover was the first thing I read, and thankfully I did. The Times review helpfully explained that the mice were Jews, the cats were Germans and the pigs were Poles. I wouldn’t have understood about the pigs later on had I not read it. The book is split into two parts – before Auschwitz and being in Auschwitz itself.

The first half of the book introduces Art and his father, Vladek, and explains that Art wants to turn his father’s experiences into a comic. I loved seeing ‘the making of’ the book while reading it, it made the story feel so real. Throughout the book, the setting switches between the point at which the comic is being drawn and his father’s memories.

Vladek explains the gradual changes that occurred in the 1930s. These small changes begin with the family seeing their first swastika in Czechoslovakia as they passed through a small town on the train. Vladek’s speech is in disordered English throughout the book, and at first I thought this was just a bad translation, but Art speaks fluently. The caption at the bottom of the drawing of the Swastika flag was very striking to me. He says ‘Here was the first time I saw, with my own eyes, the Swastika’.

From that point, things become continually worse for the family, but I loved how Vladek always found something to be positive about through all the struggles he lived through. Positive things such as finding a better shelter or being able to feed his family while in hiding. I also enjoyed seeing Vladek in the present day, and seeing the changes that this experience had made to him. I thought it was interesting that (very early on) he is displayed as the stereotypical racist idea of a Jew (something that Art notes during the book, but says it can’t be helped because that’s the way he is).

The second half of the book takes place in Auschwitz itself and the descriptions Vladek gives are incredibly vivid. Art draws some very disturbing images without making them too graphically horrifying. It’s a very delicate balance, but it’s executed very well. The story Vladek tells is shocking- there were details of Auschwitz that I’d never heard of, ones which I feel too disgusted to write on this page. At one point I felt physically sick, and couldn’t understand how anyone could live through those experiences and come out sane at the end. I know my mind wouldn’t have lasted if I’d have seen those things.

The artwork was really enjoyable to look at. It was simple to follow along to and although the faces of the mice weren’t incredibly detailed, each emotion was conveyed perfectly. There are pages within the book which display a different style of drawing from Art’s earlier days, which I thought made a great contrast and exhibited his talent very well.

The book took me about 3 hours to read, and I’m glad I did. It was a great and eye opening read. Not often do you get to read the story of a survivor which is unedited by the news for shock value. This was a very raw and real story of a holocaust survivor which has certainly changed my view of the Holocaust- it no longer feels so far away.


50 States

Since coming to Florida, I’ve eaten a lot of meals with Jarrett, and sometimes I like to think of something to do while we eat. So last night during dinner, I asked Jarrett if he could list the 50 states (I offered to just tell him, but he wanted to try it).

We went through alphabetically.

Me: States beginning with F

Jarrett: There aren’t any states beginning with F are there? I can’t think of any.

Me: You can’t think of any? Not at all?

Jarrett: No?

Me: Really? Not even, maybe, the state you live in!?


We had a laugh about it.